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Join us as we Showcase Amazing Artists from Kat Hasty's West Texas Revival.
Two Singer Songwriters - Two Hours - Third Thursday each Month!
Join us for an unforgettable night of Classic Country Music as Lynn Massey & Justice take the stage at The House of FiFi DuBois. Get ready to be mesmerized by their down home performances and incredible talent.
Lynn Massey & Justice: Lynn Massey is accompanied by the talented band Justice, known for their impeccable musicianship, this dynamic group is sure to deliver a night of music that will leave you wanting more.
12 Mile, an energetic Texas Country band rooted in San Angelo, TX, lead guitarist Charles Reyes, Tony Martinez, Danny Moya on drums, Jimmy Patino on bass guitar, and Michaela Robinson on the fiddle.
Recognizing the potential within this talented ensemble, 12 Mile entrusted their faith and original compositions to producer Jude Dyllan (Vaudevylle). Recording sessions unfolded at Red Dirt Studio, guided by Jude, renowned for collaborations with industry heavyweights like Ashley Gorley, Shane Stevens, Blair Daly, and Troy Verges.
Making waves in the Texas music scene, 12 Mile boasts two charting songs on the Texas music charts: "Sing Along" and "The Bottle."
Having graced stages with notable acts such as Pat Green, Cory Morrow, Texas Tornado's, William Clark Green, Bart Crow, Austin Mead, and more, 12 Mile exudes energy, excitement, and musical excellence from the moment they step onto the stage. With the versatility to deliver either a one-hour set or a complete four-hour show, the band captivates audiences with their compelling performances.
There is a place on Interstate 10, somewhere east of El Paso, where the road dips so far south that America starts to fade. In the hours past midnight, the radio dial is mostly static, sliding in and out of signal. What gets through is haunting, like the sound of an old Victrola playing songs
about broken hearts in broken Spanish. In the autumn, the winds toss 18-wheelers from shoulder to median and it’s still 100 degrees in the dark. There’s heat lightning in the distance,
maybe from a storm 200 miles away at the next exit. The light at the end of the tunnel is an old town called San Antonio, offering salvation in the sweetness of its pan de muerto and the cool of its slow, shallow river. If that road – in all of its chaos and its quiet – had a soundtrack, it
would be John Baumann’s Border Radio.
Baumann takes a cue from storytelling greats like Townes Van Zant, Guy Clark and Lyle Lovett, Adam Carroll, John Prine, Jackson Browne, James McMurtry, Nanci Griffith, leaning more into observation than experience in his writing, preferring to inhabit stories that are not his own. And on Border Radio, his sixth album out October 6, the stories range from a man’s
love for his “Gold El Camino” to falling in love in the red light glow of “Boy’s Town.” On each track, it’s clear the Austin-based Baumann is at the top of his songwriting game. “Saturday Night Comes Once a Week” could easily be a country radio hit, while the lyrical deftness and
timelessness of “The Night Before the Day of the Dead” and “Turning Gold” rival the best of his heroes’ work.
Those great storytelling songwriters were the ones that brought Texas to Nashville, and it’s a path that Baumann finds himself increasingly taking – with a nudge from Kenny Chesney, who recently recorded a version of Baumann’s song “Gulf Moon”. But, as a fifth generation Texan
and a self-proclaimed geographical songwriter, Baumann will always see the Lone Star State as the ideal canvas for his writing. In fact, he says Border Radio is simply a collection of “colors and vignettes from San Antonio and Hill Country down to the border. Like Steinbeck said, Texas is
‘rich, poor, panhandle, gulf, city, country, Texas is the obsession, the proper study’. “My pleasure as a songwriter is to be somebody else for three and a half minutes,” he continued. “I’m not the hunting and fishing guy in ‘South Texas Tradition’ and I’m not falling in love on the border. The record is a journey of someone’s experiences through a certain place in
the world – south Texas. And discreetly it’s a love story. It’s all the highs and lows of love. And there’s real character in the border region, there’s some controversy to it, but I wanted to get away from the news about the border walls and instead focus on it as a beautiful, interesting
and mysterious part of the state.” The album rolls from dance hall tempos to lonely ballad and back again, honoring both place
and love as the two ultimate experiences. It’s a journey through those border ghost lands to a neon-lit bar and back again. It’s a quest for love and a life well-lived.